Showing posts with label MemeTune Studios. Show all posts
Showing posts with label MemeTune Studios. Show all posts
Wednesday, 15 July 2020
Tuesday, 1 January 2019
Friday, 31 August 2018
Being John Carpenter #3
Synths and FX used: Moog Modular 3C, Sequential Circuits T8, Oberheim 4 Voice, ARP Odyssey, Linn LM1, MCI 416B, Lexicon 224, Bel BD80, EMT Plate 140, Mu-Tron Phaser II
Labels:
Being John Carpenter,
MemeTune Studios,
my music,
my video,
studio vids
Saturday, 24 February 2018
John Grant Sesh
John Grant in da house! Messing around on the CS80, the Emu Modular and the Moog Modular (being triggered by the Sequential VS). Good sesh mate! Thanks to Paul Alexander for shooting the vids and generally being awesome
Friday, 12 January 2018
NA at MT
UPDATE: Neil sent me this panorama he took in the studio. Its quite Cubist in its style:
Friday, 5 January 2018
Friday, 3 March 2017
Mix Sequencing
Labels:
ARP,
Benge Studios,
MemeTune Studios,
my video,
synth sketches
Sunday, 12 February 2017
Brass Thing
Sunday, 25 September 2016
Sunday, 24 April 2016
Shh!
Oh yes and another thing - I made a new Memetune Video ident - inspired by those supercool branding tags you used to get at the start of dodgy horror film videos in the 80s. Hope you like it
Labels:
MemeTune Studios,
my music,
studio vids,
synth sketches
Sunday, 10 April 2016
Are You Listening To Me?
Whats more, I'm not sure GN has been on a track featuring so many vintage synths since he recorded Cars! (well, maybe a bit later than that, but you get the point). I do know that he is a big fan of Foxxy, and is on record as saying John was a huge influence on his early synth-based work. So I guess it makes sense that he would want to get involved in this collaboration, which is essentially a reworking of our original track Talk from our Shape Of Things album. So I sent Gary the individual tracks from Talk, and he added a brand new vocal part and some synth drones and then I added some more synth parts and mixed it all at Memetune Central. It will be coming out in a little while on a new album of JF collaborations including some new JF&TM tracks on Metamatic Records. You can pro-order it here
Now for some detail about the track itself just in case there are any geeks reading this blog. Here is a list of the synths used and some pictures and a video:
MOOG MODULAR. Used for the initial low sequenced parts and some drones
MOOG POLYMOOG - Layered top lines and main melodies
LINN LM1 & EHX DRM16 DRUM MACHINES - DRM16 comes in first, then the Linn does the main drums half way through
PAIA MODULAR - The weird sequence that comes in half way through
ROLAND JX3P - Layered top lines and main melodies
OBERHEIM FOUR VOICE - Layered top lines and main melodies
GRATUITOUS STUDIO PIC
Here is a little video of me playing a top line on the Polymoog:
There were also a plethora of vintage delay, flanger and phaser units used, as well as vintage EMT Plate and Lexicons because as Gary said '..the vocals need a shit load of reverb on them!'. So there you have it, hope you like the track when it comes out!!
Monday, 29 February 2016
Monday, 4 January 2016
What Happened?
The Area
The house is set on the edge of the Moor by a river. Its about 15 minutes drive from the north coast and about 30 mins from the south. The moorlands are all freely accessible for exploring on foot. I've found ancient forests, waterfalls, disused mines, stone age ruins and stone circles, even a dilapidated Airfield. There are also some secluded coves and beaches which are reachable only on foot
The Garden
The house is set in a secluded valley within about 5 acres of grounds. It is sided on half the perimeter by a large river, and there are several smaller streams and a waterfall. The garden never stops surprising me with its flamboyant seasonal cycle. Although there are a few houses nearby the garden isn't really overlooked, and there are views down through the valley and the forest where the river runs out to the sea
The House
The house itself was designed in 1960, in a style that can broadly be described as modernist mid-century. The architect was Ronald Simms, who had recently returned from America where he was studying the work of Frank Lloyd Wright. Simms had been practising since the early 1950s, but this was his first and only residential design. There is an excellent article on him here, taken from The Architect magazine in 1960, which just predates my house. The house was commissioned and built in 1960/61 by the previous owner and fortunately it is in its original unmolested condition. However this means that from my point of view it is very much a work in progress, and I am trying to gradually renovate and restore it
The Studio
The house had a basement when I bought it that had been used as a garage and workshop. It had completely unfinished floors and walls, and the ceiling consisted of the exposed cantilever beams that support the room above. But it happened to be just about the same size (a little larger) than the studio I had in Hoxton, so it made perfect sense to convert it. I have posted a bit about the work that has been carried out during 2015, but not much. I thought I might do a running blog about each day's activities, but it was so time consuming doing the actual planning and building that I didn't get round to it. I will post some more stuff about the build later, but for now here are some pictures of the finished control room. There is also a live room and machine room which are not quite finished yet, but the main thing is the control room is all done and music work has very much commenced
Monday, 28 December 2015
Buchla Patterns
Tuesday, 15 December 2015
Wednesday, 7 October 2015
Sticker
Friday, 19 June 2015
Monday, 20 April 2015
Thursday, 16 April 2015
So Near Sofa
The sofa design is inspired by John Lautner's awesome 1961 Sheats Residence
Much more to follow on this subject, obvs
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