Saturday, 21 April 2018

Mod Can Do

I have finally put together my dream Modcan A system. Yes We Modcan!

Saturday, 7 April 2018

Odd Thing

A strange composition on the Arp Od(d)yssey and the matching Arp 1601 sequencer, alongside an Akai S612 sampler. I'm using the 1601 to trigger and pitch the Odyssey as well as the Akai (via a CV to MIDI converter). Its the same idea as this video. I love this patch! I shall call it THE REANIMATOR patch

Monday, 2 April 2018

Word of the Week #75

Cling Film

I have made a video to go with my latest Benge release (which I am sure you have already downloaded). The video was partially shot on my iPhone which I wrapped in clingfilm so I could submerge it in a tank of water which I then poured ink into. The clingfilm didn't work. And now my iPhone doesn't work. Never mind I needed an upgrade anyway

Sunday, 1 April 2018

Mag Stash

I've posted before about vintage magazine archives (e.g. here), and I just found another one - this time UK music technology magazines from the 70s and 80s. Mu:zines is the place to go for a serious hit of prototypical studio porn. The way I found it was by doing a search for a review on a very obscure 1980s reverb unit (the Dynacord DRP16) and it led me to the online version of the December 1984 issue of Home Studio Recording magazine. So if you are like me and prefer buying pieces of equipment made yonks ago (they have a certain sound you know) then you can step back in time too and read all the latest reviews!

Green House

I don't know anything about this house like for example where it is or who made it and when (i'm guessing the 1970s) but I like it very much indeed:

Wednesday, 21 March 2018

Album Of The Day

WOOO! Album of the day on BBC 6-music!!

Monday, 19 March 2018

Sunday, 18 March 2018

VCS3 Time

Spend a little time with the VCS3:


And here is a brillo video for the title track Mr Dynamite

Creeping Out

Our debut album is OUT! Its getting some great press and reviews too. PHEW!

“A deliciously dark electro team–up. Music as tense as Pink Squirrel and as Kraftwerky as Tokyo Metro come together quite happily in the snarling Creep Show sound.” Q – 4 Stars ****

“A full-blown, fun and fearless blast of analogue synthesis… The album asserts the great variety and malleability of electronic music.” The i Paper – 4 Stars **** (Album of the Week)

“There is a mischievous liberationist spirit, a sense of old friends coming together to relax the rules and try out everything in the musical toy box… Propulsive, kinetic and buzzing with paranoid otherness, this is a fantastic exercise in sense–mangling sonic collage.” Uncut – 7/10

“Their debut album is a riot, bending pitches, tempos and comprehension into nice slices of fried, wry funk pop.” Record Collector – 4 Stars ****

“Dark, incendiary electronica harking back to the anything–goes post–punk aesthetic of the late 70s… The record never stands still.” Mixmag – 8/10

“An exciting blend of bizarre twisted electro and otherworldly cosmic funk… Unique and exhilarating.” Louder Than War – 8/10

“Giddy feelings of mischief and liberation collide on the title–track’s pitched–down threat and the disorientating K Mart Johnny… Grant’s trademark baritone returns, at its persuasive best, on Modern Parenting, although it’s wonderfully ruminative closer Safe and Sound that resonates long after the end.” MOJO

“A fearsome array of analogue and modular–synth sounds, eerie vocal effects and beautifully processed classic drum machine hits… Dark, sci–fi tinged electro with attitude to spare.” Long Live Vinyl – 7/10

“Their debut channels repetitive, infectious krautrock… Epic in structure and with subtle Brian Eno-like touches, the songs manage to be both cohesive and fiercely innovative.” Evening Standard

“A debut album that is by turns ominous-sounding, inventive and, on K Mart Johnny – a Blue Jam-like evocation of plastic-dinosaur-based children revenge – surprisingly funny.” The Observer

“Pitch–perfect… A playful and expertly curated exercise in vintage electronic music.” Financial Times

“Creep Show will delight you… The remarkable ‘Endangered Species’ and the affirmative ‘Safe and Sound’ are as good as anything Grant has done solo.” Sunday Times

“Utterly brilliant, esoteric dance music… Creep Show is a Frankenstein’s monster of a project, merging the progressive balladism of John Grant with the dark analogue electro of Wrangler. Musically we are taken everywhere.” Loud & Quiet – 7/10

“Equal parts playful and malevolent, this sits at the experimental end of the synth–pop spectrum and offers enticing grooves aplenty.” Classic Pop

Wednesday, 14 March 2018

Tone Flow

New Benge album hot off the press:

Tuesday, 6 March 2018


I've added a vintage stereo spring reverb to my Emu Modular system. I bought the original Emu face panels ages ago on Vemia for pennies, and also an old 1980s D&R spring reverb. I got my friend Ross to wire up the Emu panels to the reverb unit, and also add CV to the really nice sounding eq that the unit has. Heres a patch with it integrated into the full system, using the memory modules for sequencing. Oh and some seals I filmed at the zoo last week

Monday, 26 February 2018

Vesta Karplus

Here I am testing out Karplus Strong synthesis on a Vesta Kozo DIG-420 sampler / delay module (a very cool unit from the late 1980s). Note that it is VESTA-KOZO not "KAZA" as I spelt it in the video - the font on the front is hard to read! I'm using the Moog modular to 'excite' the delays in DIG-420, then using the Moog 960 sequencers to change the pitch via CV. This unit also has Gate ins so it is a really cool device for adding sampling to analog systems. I love the Vesta Kozo stuff from this era - I've got the matching digital delay and also the stereo / dual spring reverb

Saturday, 24 February 2018

John Grant Sesh

John Grant in da house! Messing around on the CS80, the Emu Modular and the Moog Modular (being triggered by the Sequential VS). Good sesh mate! Thanks to Paul Alexander for shooting the vids and generally being awesome

Word of the Week #74


Just spotted this modular synthesis playlist over on FACT mag. It features one of my tracks from Twenty Systems. Cool

Thursday, 22 February 2018

Creep Show Videow

We've got our first video! Chris Turner created this for us! Woo!

Saturday, 17 February 2018

Electrocomp In The House

I've never played on let alone owned and EML synth before. Until now! I just got this beautiful Electrocomp 400 system back from Keith who fixed it up for me. As a very esoteric, self-sequencing synthesiser from the early 1970s the idea of it pushed all the right buttons, and it doesn't disappoint. I have a long way to go figuring out what all its functions are, but luckily it came with a user manual, so I'm off to do some more experimenting..

Wednesday, 31 January 2018


Mojo Working

Nice little feature in this months MOJO Mag. The secrets out. (Ps - I took those pictures!)

Saturday, 13 January 2018

Coral Sitar

This is what the future was supposed to sound like:

Friday, 12 January 2018

NA at MT

Its been a good start to the year, Neil Arthur has been down already, working on some new material with Rothko, and some other animals (VCS3, Minimoog, etc)

UPDATE: Neil sent me this panorama he took in the studio. Its quite Cubist in its style:

Thursday, 11 January 2018

Six Million Dollar Piano

Trying out a patch idea for a piano sound on the Moog 3C. (Patch idea based partially on an article by G.Reid, 'Synth Secrets', SOS magazine, October 2002)

Modules used (all RA Moog from around 1968): 5 x VCO, 1 x Noise, 1 x LPF (for tuning the noise), 3 x 4 :1 Mixers, 1 x Fixed Filter Bank, 1 x Spring Reverb, 2 x VCA, 2 x Env Gen, 1 x VCLPF, 1 x Multiple, Keyboard, Output Mixer with EQ

The patch is as follows: 3 square wave VCOs tuned to unison into a mixer and out into a fixed filter bank for fine-tuning the tone, then into a VCA/envelope with a very long decay (this models the piano strings)

A second bank of 2 VCOs and some tuned noise go into a second VCA/envelope with a very short decay then into the reverb module (this models the hammer hitting the strings)

These two signals are mixed into the LPF and the long envelope controls the frequency of this

No other sounds or effects are being heard

I only wish it was 88 note polyphonic! To buy the required 88 Moog Modulars to accomplish this would cost about 6 million dollars

Sunday, 7 January 2018


A Serge Modular patch - self playing! With a Roland TR505 added in too

Friday, 5 January 2018