BENGE
LOOP SERIES
ONE: BUCHLA 100
A series of albums recorded on a single electronic music synthesiser (or group of related instruments incorporated into a system) utilising a method of composing and recording called Looping
Looping is achieved using a technique whereby sounds are recorded either digitally or to tape which is set to loop around upon itself at various fixed lengths of time, ranging from a few seconds up to several minutes depending on the compositional effect required for each individual piece of music
There are many variables within this framework which determine the nature of the composition such as: LOOP DURATION; NUMBER OF CHANNELS; STEREO POSITIONING; LOOP FEEDBACK, etc. Thus, the ‘rules’ of each musical piece can be set up in advance allowing the composition to flow naturally from any given starting point
On this first record the sound source is a Buchla 100 modular analog synthesiser dating from the 1960s. This instrument in itself allows for extremely complex multi-dimentional events to be set up, including elements relating to pitch, timbre, time, duration, rhythm, harmony, reverberation, stereo location and the like. Furthermore it can be manipulated very easily in real time, using the various potentiometers and touch plates. The looping techniques used here included multitrack digital recording (Electro Harmonix 2880), monophonic tape loops (Roland RE501) and various combinations of the two
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